56 A History of Art in Ancient Egypt. wrecked off Carthagena, and the sarcophagus lost. The coffin floated and was saved. Happily the sarcophagus had been accurately drawn, and we are enabled to give a perspective view of it compiled from Perring's elevations (Fig. 34). From its appearance no one would guess that this sarcophagus was of basalt. The whole of its forms were appropriate to wooden construction alone. Each of its longer sides was divided into three compartments by four groups of minute pilasters, slight in salience, and crowned by a kind of entablature formed of four transverse members which were unequal in length and relief The lower parts of the three compartments consist of a kind of false door with very complicated jambs. Above this there are deeply cut hollows with cross bars, suggesting windows, and still higher a number of fillets run along the whole length of the sarcophagus. The little pilasters are separated by narrow panels, which terminate in an ornament which could readily be cut in wood by the chisel, viz., in that double lotus-leaf which is so universally present in the more ancient tombs. The ends of the sarcophagus were similar to the sides, except that they had only one compartment. The corners and the upper edge, exclusive of the lid, are carved into a cylindrical moulding which resembles the rounded and tied ansfles of a wooden case. The upper member of the whole, a bold cornice, is the only element which it is not easy to refer to the traditions of wooden construction.-^ The first idea suggested by the design of this sarcophagus is tJiat of a large wooden coffer. When we come to look at it a little more closely, however, the imitations of doors and windows and other details incline us to believe that its maker was thinking of reproducing the accustomed aspect of a wooden house. In that case we should have in it a reduction of a building belonging to the closed category of assembled constructions. It is by the ^ In his Histoire de V Hahitation, Viollet-lk-Uuc has sought to find the origin of this cornice in an outward curve imparted to the upper extremity of the reeds of which primitive dweUings were made, and maintained by the weight of the roof He pubHshed a drawing in justification of his hypothesis. There are, however, many objections to it. It requires us to admit the general use of the reed as the material for primitive dwellings. Branches which were ever so little rigid and firm could not have been so bent, and yet they are often found in the huts to which we refer. It may even bo doubted whether the reeds employed would bear such a curvature as that of tlie Egyptian cornice without breaking.
