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Construction. 6i row of hexaofonal studs, which forms a kind of frieze above the pilasters. In the wooden original they must have been formed of six small pieces of wood fixed around a hexagonal centre. Oriental cabinetmakers to this day ornament ceilings and wains- cots in the same fashion. Something like them is certain to have existed in that okel, whose delicately ornamented walls were so greatly admired by the visitors to the Exhibition of 1867. The same may be said of the row of billets which forms the upper member of the frieze, to which somethinof of an ovoid form has been given by rounding their upper extremities. The same source of inspiration is betrayed by other details of this
