Page:A History of Italian Literature - Garnett (1898).djvu/180

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162
ITALIAN LITERATURE

of the permissibility of an act reprehensible in the abstract, but required by the safety of the state—as, for example, Mohammed Ali's massacre of the Mamelukes—is a very difficult one, and Machiavelli cannot be fairly judged from the standpoint of the nineteenth century. He had not seen the trial and failure of his ideal prince on a colossal scale in the person of Napoleon. It was a cardinal error of his to deny a capacity of improvement to human nature and to assume that mankind would be essentially the same in all ages. We see, on the contrary, that the general standard of righteousness has been greatly raised since his time; and that, even if this were not so, the conditions of modern society are adverse to Machiavellian policy: to import this perception, however, into the criticism of his work would be but to reverse his own mistake. Many other criticisms might be addressed to him: he did not, for example, foresee that another set of patriots, from their own point of view, might arise, whose conception of the summum bonum in polity would be entirely different from his own; and that within a few years his maxims might serve as an arsenal for the Jesuits, whose objects would have been his utter abomination. With all his faults and oversights, nothing can deprive Machiavelli of the glory of having been the modern Aristotle in politics, the first, or at least the first considerable writer who derived a practical philosophy from history, and exalted statecraft into science.

Machiavelli's History of Florence is not, like his Discourses, a work of profound thought, nor is it authoritative in any respect. It rather exhibits him as the elegant and accomplished man of letters, and is perhaps the first successful restoration of the classical style of