his sonnets with those of Wordsworth, who neglected the traditions which Milton carefully observed. Wordsworth has even more ripeness of thought and moral elevation than his predecessor; but while Milton's work is immaculate, Wordsworth's is full of flaws.
With all its defects, the poetry of the Cinque Cento will survive as a proof that rules of art exist and may be ascertained, and cannot be safely departed from; no less than as an example of the embellishment which even ordinary thoughts may receive from nobility of diction and breadth of style; and as an instance of the great part which a literature not too original or too racy of the native soil may play in moulding and enriching the literatures of neighbouring and less advanced nations. Nor can it be fairly judged by itself as an isolated phenomenon. It was a part, and far from the most important part, of a stupendous artistic movement, which spoke more readily and eloquently with brush and chisel than with pen, and expressed through their medium much that in an age more exclusively literary would have been committed to paper.
