Page:A History of Italian Literature - Garnett (1898).djvu/286

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268
ITALIAN LITERATURE

the documents before them, but neither has always resisted the inducement to magnify or minimise evidence in accordance with his prepossessions. Sarpi's main fault is a disposition to interpret every document in the light of his own times, when the pretensions of the Papacy had greatly risen, and its spirit had become more inflexible and despotic. This, however it may detract from the value of his history, was pardonable in one who had taken a leading part in resisting the most arrogant of the Popes, and had been left for dead by assassins, suborned, as generally believed, by the Papal court. As an advocate, Sarpi is far superior to his verbose though often ingenious antagonist; as an historian, Ranke places, him immediately after Machiavelli. As a man, he appears sublimed by study and suffering into an incarnation of pure intellect; passionless except in his zeal for truth and freedom and his devotion to the Republic. "Let us," he nobly said when the Pope hurled his interdict at Venice—"let us be Venetians first and Christians afterwards."

The secular historians of the period are very numerous, but, with the exception of the Latinist Strada, only two have attained a durable celebrity. Enrico Caterino Davila (1576–1631), who had become well acquainted with French affairs by military service in the wars of religion, wrote the history of these contests from 1558 to 1598 "with Venetian sagacity and soldierly brevity." He wants few of the qualifications of an excellent historian, and his history is placed not far below that of Guicciardini, to which, indeed, it is preferred by Macaulay. He is accused, however, of affecting more penetration than he possessed into the secret counsels of princes. Cardinal Guido Bentivoglio's history of the