Page:A History of Japanese Literature (Aston).djvu/109

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GENJI MONOGATARI
93

Mikados, statesmen, literati, and poets. Her father had a reputation for scholarship, and others of her family were poets of some note. Murasaki no Shikibu herself displayed a love of learning at an early age. She was well versed both in Japanese and Chinese literature, and her father often wished that such talents and learning had not been wasted on a girl. Married to another Fujiwara, she lost her husband after a short time, and seems to have then attached herself to the Empress Akiko, also a Fujiwara and fond of learned pursuits. This would explain her familiarity with the ceremonies and institutions of the court of Kiōto. Her writings bear unmistakable testimony to the fact that she moved in the best circles of her time and country.

The Genji is generally supposed to have been finished in A.D. 1004, but this date has been disputed, and it may have been composed a few years earlier. There is a pleasing legend which associates its composition with the Temple of Ishiyama at the southern end of Lake Biwa, where the river Uji issues from it. To this beautiful spot, it is said, Murasaki no Shikibu retired from court life to devote the remainder of her days to literature and religion. There are sceptics, however, Motoöri being one, who refuse to believe this story, pointing out, after the manner of their kind, that it is irreconcilable with known facts. On the other hand, the very chamber in the temple where the Genji was written is shown—with the ink-slab which the author used, and a Buddhist Sutra in her handwriting, which, if they do not satisfy the critic, still are sufficient to carry conviction to the minds of ordinary visitors to the temple.

The Genji Monogatari is a novel. There is nothing remarkable, it may be said, in a woman excelling in this