It may be thought that the above is too low an estimate of a writer whose enormous popularity with all classes of his own countrymen is unquestionable. I therefore append the judgment of the authors of the only native History of Japanese Literature. It will enable the reader to correct any injustice which may have been done by the barbarous Western critic.
"Bakin was a man of immense erudition. His flow of ideas was profuse. When he took up his pen, a thousand words were quickly formed, long chapters fell from his hand. He, nevertheless, from time to time, used deep thought and mature reflection, giving profound attention to plot and construction. His pen darted hither and thither, following his thoughts wherever they went, accompanying his sentiments wherever they turned themselves. In describing men and events, his style changed with the change of subject. Many there have been in ancient and modern times who gave their attention to style, each of whom has his own particular merits. Some excel in depicting scenes of grief and affliction, some of gladness and jollity, while others possess unrivalled gifts of indignant or satirical language. But how many are there who, like Bakin, can build on so vast a scale, and include within their scope the billows of mankind with all their varied capacities and qualities? How many possess the styles fitted for this purpose wherein are seen ever and anon magical things which far transcend our comprehension? In short, Bakin comprises in himself the best points of many men. We see in him numerous resemblances to Shakespeare. It is not only women and children, tradespeople and peasants, who admire him. Even educated gentlemen are frequently moved to tears or laughter, or made to gnash
