the latter half of the seventh and the first half of the eighth century of the Christian era, and cover a period of about 130 years. They are classified as follows: poems of the four seasons; poems of the affections; elegiac, allegorical, and miscellaneous poems. They number in all more than 4000 pieces, of which the great majority are Tanka, or short poems of thirty-one syllables. The remainder are for the most part Naga-uta or so-called "long poems." As for the authors, their name is legion. Among them, however, two poets stand out with some degree of eminence—viz., Hitomaro and Akahito. The former flourished at the end of the seventh century, the latter in the reign of Shōmu (724–756). Little is known of either, further than that they were officials of the Mikado's court, and attended him on some of his progresses through the provinces.
The Riakuge edition of the Manyōshiu in thirty volumes, which was formerly the best, has now been totally eclipsed and superseded by the magnificent Manyōshiu Kogi, recently published under official auspices. It extends to 122 volumes, and contains everything (and more) in the way of commentary and indexes that the most ardent student can desire. The print is admirable, and the text a great improvement on that of the Riakuge edition.
The following translations, inadequate as they are, may help to give some idea of the character of the Manyōshiu poetry. The first specimen is by Hitomaro. It is an elegy on Prince Hinami, son of the Mikado Temmu, who died A.D. 687, before succeeding to the throne.
The poet begins by relating the appointment, at a council of the gods, of the deity Ninigi no Mikoto as the first divine sovereign of Japan. In the second part
