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INDEX.
- Christopher, St.: print of 1423, 22.
- Chronicles: general description, 52; the Cologne, 53; the Nuremberg, 53; the Saxon, 53.
- Clennell, Luke, 164, 167.
- Cole, T., 197, 200.
- Cologne: early school of art, 42, 43; Bible, 49; Chronicle, 53; press, 57.
- Color: in the holy prints, 26 note; in early German books, 52; in the Livres d’Heures, 60, 61; in chiaroscuro-engraving, 87.
- Color, conventional, 55, 151, 152.
- Copperplate-engraving: influence on wood-engraving, 47, 91, 112, 141, 149, 164, 176, 182.
- Coriolano, Bartolemeo, 146.
- Coster, Lawrence: claim to the invention of wood-engraving, 21.
- Cousin, Jean, 136–139.
- Cranach, Lukas, 110.
- Criblée-work: description, 18; in France, 62, 63.
- Cross-hatching: first use in Germany, 55; in Italy, 86; its propriety in wood-engraving, 152, 186.
- Cunio, Isabella and Alexander Alberico, 20.
- Dalziel, the Brothers, 168.
- Dance of Death: typical mediæval idea, 121; Holbein’s, 123-129; Guyot Marchand’s, 62.
- Davis, J. P., 197.
- Day, John, 147.
- Didot, Firmin (père): his influence on the French revival of the art, 163.
- Dream of Poliphilo, 70–81, 137, 138.
- Du Pré, Jean, 60.
- Dürer, Albert: influence on the art, 90; character of his genius, 91, 92; Apocalypse of St. John, 93, 94; Larger Passion, Smaller Passion, Life of the Virgin, 95–97; single prints, 97; Car and Gate of Triumph, 97–99.
- England: early woodcuts, 63; the art in Holbein’s time, 132, 147, 148; modern revival, 151, 164.
- Evans, Edmund, 168.
- Form, value of, in wood-engraving, 193.
- France: early books in French, 58; early woodcuts, 59–63; influence of Germany and Italy, 62, 135; character of the French Renaissance and its art, 135–141; the modern revival, 163, 169.
- French, Frank, 196.
- Genre art, first appearance in wood-engraving, 121.
- Germany: German block-books, 42, 43; activity and influence of the early printers, 46, 47; the free cities, 48; character of the early press, 48, 56, 57; influence on France, 62; on Italy, 67; on Venice, 68; chiaroscuro-engraving, 87; the Renaissance, 91, 97, 110, 111, 115; decline, 148; the modern revival, 163, 169.
- Gilbert, Sir John, 168.
- Goldsmiths, mediæval: their art-works, 14–16; position in France and the Netherlands, 17; their claim to the invention of wood-engraving, 18, 19.
- Goltzius, Hendrick, 147.
- Goujon, Jean, 139.
- Greche, Domenico delle, 145.
- Gregory the Great: his defence of art, 31.
- Groups, modern, 195–200.
- Gubitz, Friedrich Wilhelm, 163.
- Harvey, William, 167.
- Historia Johannis Evangelistæ ejusque Visiones Apocalypticæ, 42.
