Italian series, even as illustrated by the cuts here given, exhibits a greater variety of interest, knowledge, and feeling than does the work of any other nation, and affords a lively notion of the manifold elements that went to make up the Renaissance; it reflects fable, superstition, learning, the symbolism of mediæval theology, ancient myth and legend, the rise of the modern feeling for nature, the passion for beauty and art; and, ranging from the life of the scholar and the nunnery to that of the beggar and the plague, it pictures
Fig. 33.— Hero and Leander. From the Ovid of 1515. Venice.
vividly contemporary times, while it adds to the interest of history and humanity the interest of beauty. Its prime, however, was of brief duration. Venetian engraving, and that of the other Italian cities also, continued to be marked by this
