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A HISTORY OF WOOD-ENGRAVING
1498, but it was probably finished before that time. It consisted of fifteen large cuts in illustration of the Apocalypse of St. John, to which a vignette (Fig. 40) of wonderful nobility and simplicity was prefixed. The theme must have
Fig. 41—Christ Suffering. Vignette to Dürer's "Larger Passion."
been peculiarly attractive to him, because of the opportunities it afforded for grandeur of conception and for the symbolism in which his genius delighted; it was supernatural and religious; it dealt with images and thoughts on which the laws of this world imposed no restraint, and revealed visionary scenes through types of awe, terror, and mystery, the impressiveness of which had almost no human relation.
