Not far away lay Mas du Juge, described in the book, where he was born, and Maillane, where he lives, and I longed to drive that way; but as the Turnours would be sure to say that there was nothing to see, the chauffeur thought it wiser not to turn out of our road. We might find the poet at Arles, perhaps, in his museum there, or lunching at the Hotel du Forum, a favourite haunt of his on museum days.
Starting for Les Baux, we turned our faces straight toward the wild little mountains loved by Mistral, his dear Alpilles. They soon surrounded us in tumbling gray waves, piled up on either side of the road as the Red Sea must have tumultuously fenced in the path of the Israelites. Strange, hummocky mountains were everywhere, as far as we could see; mountains of incredible, nightmare shapes, and of great ledges set with gigantic busts of ancient heroes, some nobly carved, some hideously caricatured, roughly hewn in gray limestone, or red rock that looked like bronze. On we went, climbing up and up, a road like a python's back; but not yet was there any glimpse of the old "robber fortress" of Les Baux about which I had read, and later dreamed, last night. I knew it would be wonderful, astonishing, a Dead City, a Pompeii of the Feudal Age, yet different from any other ancient town the whole world over—a place of tangled histories; yet I tried vainly to picture what it would be like. Then, suddenly, we reached a turn in that strange road which, if it had led downhill instead of up, would have seemed like the way Orpheus took to reach Hades.
We had come face to face with a huge chasm in the
