To my own surprise, I did n't want to think of the motor-car. It had brought us to older places, but within this walled quadrangle it was as if we had come full tilt into a picture; and the automobile was not an artistic touch. Ingrate that I was, I turned my back upon the Aigle, and was thankful when Sir Samuel and Lady Turnour walked out of my sight around the corner of the picture. I pretended, when they had disappeared, that I had painted them out, and that they would cease to exist unless I relented and painted them in again, as eventually I should have to do. But I had no wish to paint the driver of the car out of my picture, for in spite of his chauffeur's dress he is of a type which suits any century, any country—that clear-cut, slightly stern, aquiline type which you find alike on Roman coins and in modern drawing-rooms. He would have done very well for one of St. Louis's crusaders, waiting here at Aigues Mortes to sail for Palestine with his king, from the sole harbour the monarch could claim as his on all the Mediterranean coast. I decided to let him remain in the dream picture, therefore, and told him so, which seemed to please him, for his eyes lighted up. He always understands exactly what I mean when I say odd things. I should never have felt quite the same to him again, I think, if he had stared and asked "What dream picture?"
I had been brought on this expedition strictly for use, not for ornament. We were going from Aigues Mortes to St. Gilles and from St. Gilles to Nîmes, therefore Arles was already a landmark in our past. I could walk about and amuse myself if I liked, but I must be at the inn before the return of my master and mistress to arrange
