Louis bought this tangled desert of sand and water in the middle of the thirteenth century from an Abbot of Psalmodi, so the guide told me, and I liked the name of that abbot so much that I kept saying it over and over, to myself. Abbot of Psalmodi! It was to the ear what an old, illuminated missal is to the eye, rich with crimson lake, and gold, and ultramarine. It was as if I heard an echo from King Arthur's day, that dim, mysterious day when history was flushed with dawn; the Abbot of Psalmodi!
The heart of Aigues Mortes for me was the great tower of Constance, but a very wicked heart, full of clever and murderous devices, which was at its wickedest, not in the dark ages, but in the glittering times of Louis XIV. and of other Louis after him. That tower is the bad part of the dream where horrors accumulate and you struggle to cry out, while a spell holds you silent. In the days when Aigues Mortes was not a dream, but a terrible reality to the prisoners of that cruel tower, how many anguished cries must have broken the spell; cries from hideous little dungeons like rat-holes, cries from the far heights of the tower where women and children starved and were forgotten!
I was almost glad to get away; yet now that I am away I shall often go back—in my dream.
Alexander Dumas the elder went from Aigues Mortes to St. Gilles, driving along the Beaucaire Canal, on that famous tour of his which took him also to Les Baux; and we too went from Aigues Mortes to St. Gilles, though I 'm sure the Turnours had no idea that it was a pilgrimage in famous footprints. Only the humble maid and
