A MODERN SYMPOSIUM
complexity of Europe, its lack of symmetry, its variety, irregularity, disorder and caprice! The geography of the two continents already foreshadows the differences in their civilizations. On the one hand simplicity and size; on the other a hole-and-corner variety; there immense rivers, endless forests, interminable plains, indefinite repetition of a few broad ideas; here distracting transitions, novelties, surprises, shocks, distinctions in a word, already suggesting Distinction. Even in its physical features America is the land of quantity, while Europe is that of quality. And as with the land, so with its products. How large are the American fruits! How tall the trees! How immense the oysters! What has Europe by comparison! Mere flavour and form, mere beauty, delicacy and grace! America, one would say, is the latest work of the great artist—we are told, indeed, by geologists, that it is the youngest of the continents—conceived at an age when he had begun to repeat himself, broad, summary, impressionist, audacious in empty space; whereas Europe would seem to represent his pre-Raphaelite period, in its wealth of detail, its variety of figure,
[95]
