A MODERN SYMPOSIUM
A nation so severely practical could hardly be expected to attach the same importance to the emotions as has been attributed to them by Europeans. Feeling, like Intellect, is not regarded, in the West, as an end in itself. And it is not uninteresting to note that the Americans are the only great nation that have not produced a single lyric of love worth recording. Physically, as well as spiritually, they are a people of cold temperament. Their women, so much and, I do not doubt, so legitimately admired, are as hard as they are brilliant; their glitter is the glitter of ice. Thus happily constituted, Americans are able to avoid the immense waste of time and energy involved in the formation and maintenance of subtle personal relations. They marry, of course, they produce children, they propagate the race; but, I would venture to say, they do not love, as Europeans have loved; they do not exploit the emotion, analyse and enjoy it, still less express it in manners, in gesture, in epigram, in verse. And hence the kind of shudder produced in a cultivated European by the treatment of emotion in American fiction. The authors are trying to express something
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