A MOTOR-FLIGHT THROUGH FRANCE
the château, lies the little walled graveyard which figures so often in the Histoire de ma vie, and where she who described it now rests with her kin. The graveyard is defended from intrusion by a high wall and a locked gate; and after all her spirit is not there, but in the house and the garden—above all, in the little cluster of humble old cottages enclosing the shady place about the church, and constituting, apparently, the whole village of Nohant. Like the goose-girl, these little houses are surprisingly picturesque and sentimental; and their mossy roofs, their clipped yews, the old white-capped women who sit spinning on their doorsteps, supply almost too ideal an answer to one's hopes.
And when, at last, excitedly and enchantedly, one has taken in the quiet perfection of it all, and turned to confront the great question: Does a sight of Nohant deepen the mystery, or elucidate it?—one can only answer, in the cautious speech of the New England casuist: Both. For if it helps one to understand one side of George Sand's life, it seems actually to cast a thicker obscurity over others—even if, among the different sides contemplated, one includes only those directly
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