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OUTLINE
d. | Setting and phonics, illustrated. The Spider and the Flea | 79 | |||||
e. | Setting illustrated. Chanticleer and Partlet | 81 | |||||
4. | A blending of characters, plot, and setting illustrated by The Elves and the Shoemaker | 82 | |||||
5. | Tests to be applied to fairy tales | 84 | |||||
6. | Tales examined and tested by the complete test of interests, classic, literature, short-story, narration, and description | 84 | |||||
a. | How the Sun, Moon, and West Wind Went to Dinner (Indian) | 84 | |||||
b. | The Straw Ox (Cossack) | 86 | |||||
IV. | References | 87 | |||||
III. THE TELLING OF FAIRY TALES | |||||||
Story-telling as an Art. Introductory | 90 | ||||||
1. | Story-telling as an ancient art | 90 | |||||
2. | The place of the story in the home, library, and the school | 93 | |||||
3. | Principles of story-telling | 94 | |||||
I. | The teacher's preparation. Rules | 94 | |||||
1. | Select the tale for some purpose | 94 | |||||
a. | The teacher's problem of selecting the tale psychologically or logically | 95 | |||||
2. | Know the tale historically as folk-lore, as literature, and as a short-story | 96 | |||||
a. | The various motives contained in the fairy tales listed | 97 | |||||
3. | Master the structure of the tale | 99 | |||||
4. | Dwell upon the life of the story | 99 | |||||
5. | Secure the message | 100 | |||||
6. | Master the form | 100 | |||||
II. | The presentation of the tale | 102 | |||||
1. | Training of the voice | 103 | |||||
a. | Study of phonetics | 103 | |||||
2. | Exercises in breathing | 104 | |||||
3. | A knowledge of gesture | 105 | |||||
a. | Gesture precedes speech | 106 |