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INDEX
| 253–54; in picture-books, 254–55; in pictures, 255; in poems, 255–56; in standard books, 256–58; of all nations, 258–59; in miscellaneous editions, 259–62; in school editions, 262–64; in Appendix, 265–90. |
| Familiar, the, 14–15. |
| Fancy, 46, 47. |
| Fir Tree, 151–53. |
| First-grade fairy tales, 231–34, 265–86. |
| Folk-game, illustrated by Little Lamb and the Little Fish, 147–48, 267–70. |
| Folk-tales, generally, as literary form, 65–67; tested as literary form, 60–70; characters of, compared with those of Shakespeare, 7, 43–44; recent collections of, 200. |
| Foolish, Timid Rabbit, illustrating method in story-telling, 116–17; an animal type, 214. |
| Form, a distinguishing literary trait, 40, 54; perfect, 57–60; general qualities of, 57–58; precision, a quality, 57; energy, a quality, 57–58; delicacy, a quality, 58; personality, a quality, 58; principles controlling, 58–60: sincerity, 58–59; unity, 59; mass, 59; coherence, 59; style in, 59–60, illustrated: by Oeyvind and Marit, 60–64; by Three Billy-Goats Gruff, 64–65; folk-tales as literary, 65–70; mastery of tale as, 100–02. |
| French fairy tales, 179–83. |
| Game, as expression, 134–35. |
| Gardens of the Tuileries, 1. |
| German fairy tales, 192–93. |
| Gesta Romanorum, 174–75. |
| Gesture, knowledge of, 105–06; library pamphlet relating to, 106. |
| Giant tales, 31–32. |
| Golden Egg and the Cock of Gold, 237–38. |
| Good-Natured Bear, a modern animal type, 217, 272–75; a book, 190. |
| Grimm, William and Jacob, 67–68; list of tales by, 246–47; editions by, 257; tales by, as literary form, 67. |
| Harris, J. C., list of Uncle Remus tales by, 248–49; tales by, as literary form, 69; editions by, 257. |
| Henny Penny, 214. |
| History of fairy tales, 158–203; origin of fairy tales, 158–67; transmission of fairy tales, 167–200; oral transmission, 167–70; literary transmission, 170–200; references, 201–03. |
| Hop-About-Man, 241–43. |
| House that Jack Built, 206–07. |
| How the Birds came to Have Different Nests, 151; 270–72. |
| How the Sun, Moon, and West Wind went out to Dinner, 84–86. |
| How Two Beetles Took Lodgings, 226. |
| Humor in fairy tales: an interest, 21–22; 217–19. |
| Humorous tales, 217–23; types of, 219–23. |
| Imagination, a distinguishing literary mark of fairy tales, 40, 45–53; creative, 45; associative, 46; penetrative, 47; contemplative, 47–53; fancy, 46, 47; exhibited in child's return, 122, 125–54. |
| Imaginative, the, 23. |
| Initiative, development of, 122, 123–25. |
| Instincts of child, expression of: conversation, 125–27; inquiry, 127–29; construction, 129–30; artistic expression, 130–54. |
