wrinkled trophy. And here too the poet's eye may still detect the brazen nails which fastened Time's inscriptions, and if he has the gift, decipher them by this clue. The walls that fence our fields, as well as modern Rome, and not less the Parthenon itself, are all built of ruins. Here may be heard the din of rivers, and ancient winds which have long since lost their names sough through our woods;—the first faint sounds of spring, older than the summer of Athenian glory, the titmouse lisping in the wood, the jay's scream, and blue-bird's warble, and the hum of
"bees that fly
About the laughing blossoms of sallowy."
Here is the gray dawn for antiquity, and our to-morrow's future should be at least paulo-post to theirs which we have put behind us. There are the red-maple and birchen leaves, old runes which are not yet deciphered; catkins, pine-cones, vines, oak-leaves, and acorns; the very things themselves, and not their forms in stone,—so much the more ancient and venerable. And even to the current summer there has come down tradition of a hoary-headed master of all art, who once filled every field and grove with statues and god-like architecture, of every design which Greece has lately copied; whose ruins are now mingled with the dust, and not one block remains upon another. The century sun and unwearied rain have wasted them, till not one fragment from that quarry now exists; and poets perchance will feign that gods sent down the material from heaven.
What though the traveller tell us of the ruins of Egypt, are we so sick or idle, that we must sacrifice our America and to-day to some man's ill-remembered and indolent
