province of poetry. Ere long the enjoyment of a superior good would have changed his disgust into regret. We can never have much sympathy with the complainer; for after searching nature through, we conclude that he must be both plaintiff and defendant too, and so had best come to a settlement without a hearing. He who receives an injury is to some extent an accomplice of the wrong doer.
Perhaps it would be truer to say, that the highest strain of the muse is essentially plaintive. The saint's are still tears of joy. Who has ever heard the Innocent sing?
But the divinest poem, or the life of a great man, is the severest satire; as impersonal as Nature herself, and like the sighs of her winds in the woods, which convey ever a slight reproof to the hearer. The greater the genius, the keener the edge of the satire.
Hence we have to do only with the rare and fragmentary traits, which least belong to Persius, or shall we say, are the properest utterances of his muse; since that which he says best at any time is what he can best say at all times. The Spectators and Ramblers have not failed to cull some quotable sentences from this garden too, so pleasant is it to meet even the most familiar truth in a new dress, when, if our neighbor had said it, we should have passed it by as hackneyed. Out of these six satires, you may perhaps select some twenty lines, which fit so well as many thoughts, that they will recur to the scholar almost as readily as a natural image; though when translated into familiar language, they lose that insular emphasis, which fitted them for quotation. Such lines as the following, translation cannot render common-place. Contrasting the man of true religion with those who, with jealous privacy, would fain carry on a secret commerce with the gods, he says,—
