right. Those on the former are famous. The finest are red, veined with grey, or flesh tint with yellow veins; other marbles are green, blue, violet. Versailles was adorned with columns of Sarrancolin. Thence comes the marble now employed in the Louvre for most of the pedestals.
The church of Sarrancolin was originally strongly fortified, and served as the key to the valley; it is early of the twelfth century, with Romanesque windows. There are no aisles, it is a cross church. The choir grating is of the fifteenth century. In the church is the shrine of a Spanish bishop, S. Ebbo, and is the sole specimen in the district of Limoges work, and is of the thirteenth century. To the north of the church is the chapter-house in ruins. Fragments of the town walls remain, as does a gateway and tower of the fifteenth century. The houses are all built of the marble of which the hill is formed on which the place stands, and they are crowded about the church, in the constrained area within the old walls. The place recommends itself to the painter and to the archæologist.
The canal takes its waters from the Neste above the little town, and the river accordingly has in the upper portion of the valley a freer and fuller flow.
But before we have mounted so far up the Neste, a diversion may well be made to the valley of the Arros, which rises in the mountains between the Val de Campan and that of Aure. We might have supposed that it would speedily throw itself into the Adour or the Neste. But not so. It holds on its independent course far away to the north, and does not condescend to unite with the Adour till it enters the department of Gers.
In this narrow valley, high up in the mountains, stand near each other the two castles of Lomné and Espêche, con-
