with sculptured capitals, and fine statues of life size, and a bas-relief of Christ between the evangelistic symbols, is of the twelfth century. Within are ancient columns taken from the Roman town, and a curious stone sarcophagus or shrine of the fourteenth century, much mutilated, and reached by two stone flights of steps. It is not known whose tomb this was. Against the wall at the end of the nave is the tombstone of a priest named Patroclus, of the fourth century.
After five centuries of abandonment, one of the bishops of Cominges resolved on the re-edification of the city of Lugdunum. He built a cathedral on the height of the rock, in the midst of the ruins. This was in the eleventh century, towards its close, when religious fervour was at its height; and this new church is one of the most beautiful monuments of medieval art in the south of France. About the new cathedral canons were installed; the prelate erected for them a residence and a cloister. He built himself a palace, and in every way encouraged the people to resettle on the site of their ancient capital.
The man who did this, the second founder, was Bertrand de l'Isle-Jourdain, and he has given his name to this new foundation, or, to be more correct, the people have called the new city on the old site after his name. Bertrand's mother was daughter of William Taillefer, Count of Toulouse. He was trained in the abbey of Escaledieu, but quitted it for the profession of arms. However, before long he abandoned the life of a camp to accept a canonry at Toulouse. He was appointed Bishop of Cominges about 1073, and ruled the see for fifty years. According to popular legend, he killed a dragon that infested the neighbourhood; and the stuffed monster hangs in the church to this day. It is a crocodile from the Nile. He died in or about 1120, and his day of com-