The bishopric was suppressed at the Revolution and never restored. There had been on the cathedral staff twelve canons and twenty-four prebendaries, having under them a swarm of sacristans, curés to relieve them of burdensome duties, and workmen.
Ste. Marie de la Sède is a Renaissance church, but built when the spirit of Gothic architecture had not gone out of the land; but the portal is Romanesque. The interior woodwork is of the eighteenth century, and is fine for its period. To the north is the chapter-house, of the twelfth century. The materials of which cathedral and palace were built proceeded from the ruins of the Gallo-Roman city.
The other cathedral is more interesting. It consists of a nave without aisles, and an apse constructed out of fragments of Roman buildings, and over a Roman gateway. The central tower is of the fourteenth century: octagonal, lighted by windows with triangular heads, and the whole crowned by a crenellated platform. It affects the Toulouse style, and is of brick. The magnificent cloister of the twelfth and thirteenth centuries has thirty-two round-headed arches resting on alternate single and double pillars with quaintly-carved and varied capitals. Above it is an open walk or cloister, with the pantiled roof supported on beams, dating from the fifteenth century. Probably the town would expire altogether were it not kept alive by the lunatics installed in the episcopal palace, which is lighted by electricity, and such light as is not wanted in the asylum is distributed over the town.
Like S. Bertrand, this Lyons changed its name and assumes that of one of the bishops, a native of Lerida, who is said to have saved the city from destruction by the Visigoths by his intercession. The town is built on the slopes of a hill above
