hundredth time to help a budding aspirant to fame.
With so many competitors in the field, it was uncommonly astute in Mr. Hayley to address himself exclusively to that sex which poets and orators call "fair." There is a formal playfulness, a ponderous vivacity about the "Triumphs of Temper," which made it especially welcome to women. In the preface of the first edition the author gallantly laid his laurels at their feet, observing modestly that it was his desire, however "ineffectual," "to unite the sportive wildness of Ariosto and the more serious sublime painting of Dante with some portion of the enchanting elegance, the refined imagination, and the moral graces of Pope; and to do this, if possible, without violating those rules of propriety which Mr. Cambridge has illustrated, by example as well as by precept, in the 'Scribleriad,' and in his sensible preface to that elegant and learned poem."
Accustomed as we are to the confusions of literary perspective, this grouping of Dante, Ariosto, and Mr. Cambridge does seem a trifle
