time distinguished—in England at least—for wit or wisdom, for public virtues or for private charm; but it was a time when literary reputations were so cheaply gained that nobody needed to despair of one. A taste for platitudes, a tinge of Pharisaism, an appreciation of the commonplace,—and the thing was done. It was in the latter half of this blissful period that we find that enthusiastic chronicler, Mrs. Cowley, writing in "Public Characters" of "the proud preëminence which, in all the varieties of excellence produced by the pen, the pencil, or the lyre, the ladies of Great Britain have attained over contemporaries in every other country in Europe."
When we search for proofs of this proud preëminence, what do we find? Roughly speaking, the period begins with Miss Burney, and closes with Miss Ferrier and Miss Jane Porter. It includes—besides Miss Burney—one star of the first magnitude, Miss Austen (whose light never dazzled Mrs. Cowley's eyes), and one mild but steadfast planet, Miss Edgeworth. The rest of Great Britain's literary ladies were enjoying a degree of fame and for-
