a bouquet of buds and blossoms in another, to mark the pleasures and the brevity of life; and, in a third, Cupid playing with a spaniel, "as an emblem of the most passionate fidelity." Even samplers, which represented the first step in the pursuit of accomplishments, had their emblematic designs no less than their moral axioms. The village schoolmistress, whom Miss Mitford knew and loved, complained that all her pupils wanted to work samplers instead of learning to sew; and that all their mothers valued these works of art more than they did the neatest of caps and aprons. The sampler stood for gentility as well as industry. It reflected credit on the family as well as on the child. At the bottom of a faded canvas, worked more than a hundred years ago, and now hanging in a great museum of art, is this inspiring verse:—
I have done this that you may see
What care my parents took of me.
And when I'm dead and in my grave,
This piece of work I trust you'll save.
If the little girl who embodied her high hopes in the painful precision of cross-stitch could but know of their splendid fulfilment!
