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THE AGE OF DECADENCE
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Francis Faludi (1704–1779) was a Jesuit. Toldi, the first writer of literary history in Hungary, said of Hungarian monks, that they had all the merits of monks, without their faults. It was certainly true of Faludi, who was a quiet, humble-minded man, of untiring activity, of a placid and kindly disposition, filled with a great love for his fellow men, and for beauty of every kind. Occasionally he would speak the language of the galants like the abbés of the French Court, a language full of refined mythological allusions. He was not a creative genius. By careful study he obtained a perfect knowledge of his native tongue, which had then fallen so much into neglect, and handled it in masterly fashion. The purity, the charm and inexhaustible variety of his style have no equal in the literature of the entire century. His talent for languages was of great help to him in his work as a translator. Amongst other works, he translated a book of philosophical reflections by Graciano Baltazar, a Spanish Jesuit, entitled The Courtier. It was this book which became the favourite reading of Arthur Schopenhauer. It deals with the problem how to get on in life. The writer does not, however, treat virtue, honour and diligence as the foundations of success, but circumspection, knowledge of men, and a crafty use of opportunities. The book was really intended for the use of young courtiers who wished to advance to honour over the treacherous ground of Court life.

In harmony with the spirit of the times, Faludi wrote many stories, so-called moral tales, amongst which it must be confessed there are some piquant ones; but at the end of these the author relieves the mind of the reader by assuring him that the story is merely an