A PRINCESS OF MARS
ing nearer the audience chamber and of far more pretentious architecture than our former habitation. We also found in this building real sleeping apartments with ancient beds of highly wrought metal swinging from enormous gold chains depending from the marble ceilings. The decoration of the walls was most elaborate, and, unlike the frescoes in the other buildings I had examined, portrayed many human figures in the compositions. These were of people like myself, and of a much lighter color than Dejah Thoris. They were clad in graceful, flowing robes, highly ornamented with metal and jewels, and their luxuriant hair was of a beautiful golden and reddish bronze. The men were beardless and only a few wore arms. The scenes depicted for the most part, a fair-skinned, fair-haired people at play.
Dejah Thoris clasped her hands with an exclamation of rapture as she gazed upon these magnificent works of art, wrought by a people long extinct; while Sola, on the other hand, apparently did not see them.
We decided to use this room, on the second floor and overlooking the plaza, for Dejah Thoris and Sola, and another room adjoining and in the rear for the cooking and supplies. I then dis-
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