bedroom at this moment, reposing in the big cupboard where she kept her dresses.
"Do you want a clock-work train?" she asked.
"Yes, mummy, frightfully," said he, feeling that he was playing a part, for he knew his mother knew that he wanted a clock-work train.
"What else?"
"Oh, thousands of things. Particularly a pen that writes without your dipping it in the ink."
"Well, if I were you I should write down all the things you want, and leave the paper lying on your counterpane when you go to sleep."
"What'll that do?" asked Archie.
"It's the fairy-post. Instead of putting letters into boxes to be posted when you want them to reach the fairies, you have always to put them on your bed. Mind you address it to Her Fairy Majesty the Empress Abracadabra. Then, when the fairies come round to collect the post, they will find it there, and take it to Abracadabra. And perhaps if she comes to-morrow—let me see, it must be a year since she was here—she will bring a few things for your birthday. I can't tell; but I think that is the best chance of getting them."
Certainly this seemed a very pleasant sort of plan; Archie had never heard of it before, and the extremely matter-of-fact tone in which his mother spoke lit again a dawning hope in his mind that perhaps it was all true. Why shouldn't there be a fairy Abracadabra, and a fairy-post, just as there had been, and now was no longer, a glassy sea between the rugs in the hall, and snarling tigers to keep off his enemies? If you believed a thing enough, it became real, with a few trifling exceptions as, for instance, when, on one of the days last summer, a day crammed full of the most delightful events, Archie had found himself firmly believing that that particular day was never coming to an end. True, it had come to an end, but that
