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Elizabethan; Mr. , all Italian, with a dash of the Byzantine, Renaissance, &c.
I am, I own, much pleased as well as instructed by this discussion, and I hope you will not consider me as intruding too much upon your time and patience, if I venture to seek further elucidations of some of the positions in your letter. I quite agree it is clear that as yet we have a style to choose, and that in future ages, no architect will be able to apply any definite character to our present mode of building. I must, however, premise what indeed my letter will fully prove, that your partiality has induced you to give me credit for greater knowledge in matters of art, especially as regards architecture, than I possess.
I agree that the style which best admits of being combined with the sister arts (or filial if you please) of painting and sculpture, must be the one to adopt, and that it is clear their union is always a mutual improvement. It seems you come to the conclusion that the pure Greek style of architecture is that which best admits of this union. Now, as regards domestic architecture, I am not sure that I have any very clear perception of what is pure Greek style. I suspect our notion as regards a house of pure Greek style, is a cube of building of mock stone with a portico, if a large house; or if a small one, with some thin paste-like pilasters, and a certain number of parallelogram holes cut into the walls for windows, with two smaller cubes for wings; and, in the inside, a repetition of the outside, in the shape of the rooms; that is, two oblong rooms for dining and drawing rooms, with an oblong hall placed the other way: the usual accompaniment of folding doors, and two or three small and often dark rooms at the back. There are certainly some changes rung on these forms, but the theme is always the same. I call Sir R. Smirties' Post Office a gigantic small Grecian house. I am aware that the Palladian improvements, or additions, (which ever you will) have multiplied the resources, and have given us much to delight; namely, the circular dome, pillars, and gallery, and the consequent change in the disposition of the apartments. I mention these points to let you see the nakedness of the land, and trust to your kindness for better instruction.
You assume that the Grecian style is the best adapted to pictorial and sculptural decoration, but I do not see the reason of this; in fact, without a more precise definition of what you mean by Greek style, as adapted to domestic architecture, I do not see how this can be shewn. You state that the Gothic style is not so well adapted to the union with the filial arts, and that hitherto when so used they were subordinate only. I shall be the more ready
