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will, I conceive, be most proper to indicate as forcibly as possible to the eye, solidity of material and construction.
In the second or inner hall, which we enter from the preceding one, and beyond which is obtained a view of the staircase, as seen through the columns placed on a stylobate, serving as a screen to the stairs, the walls might be marbled of a light greenish tint, intermixed in the socle with brown lines. The columns and entablature should be white; and the ceiling panelled in wainscot, with coffers or compartments containing ornaments in relief on a green ground. As regards this part of the interior, I would remark that should such be deemed preferable, there would be no objection to filling in the upper part of the screen (that is, the openings between the columns) with glass. While this would prevent all draught from the staircase, and in some degree intercept sound also, it would not in anywise affect the general design; but rather might be made to conduce to it, by adopting some ornamental pattern, of course in a corresponding style. Both in this and the preceding vestibule, the floor should be paved with marble or coloured stone, as should also that of the corridors; but the large hall should have a parquetted wood flooring, because that room will occasionally be made use of for dancing. In this last, the walls should be wainscoted and panelled with oak, to the height of about seven feet; and the doorway which forms the entrance to the suite of sitting-rooms should be distinguished by richness of carved decoration in the same material. I further recommend the application of embellishment of inlaid woods or marquetrie of different colours, for the cornice or upper mouldings of this wainscoting, so as to produce a rich border or band along the walls, above which there will remain space for pictures in frames, (inclining forwards) and even if these paintings are of no very great value in themselves as works of art, they will be of use as contributing to the general design, and add greatly to its effect. The upper part of the walls might be painted in fresco in imitation of grey marble streaked with red, which last mentioned colour should be that of the coffers in the wainscoted ceiling.
The ante-room or first room of the suite being smaller than the others, should have a coved ceiling, in order to diminish its apparent height; and this might be painted with Arabesque ornaments on a white ground, somewhat after the manner of several of the ceilings of Julio Romano in the Villa Lanti. The walls of this and of the two adjoining rooms should be hung with silk or other stuff of a quiet sober hue, so as to give the greatest relief to the pictures, I taking it for granted that you would be inclined to place here the principal part of such pictures as you may possess.
