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I need hardly remark that these designs are only intended to convey an idea of the general character and style of the different rooms, as submitted to you for consideration. Much yet remains to be definitively settled, there being a variety of circumstances with which I am at present but imperfectly acquainted; nor can I possibly say what modifications of the plan I should advise, until I know wherein you consider it objectionable, or wherein it fails to meet your precise wishes. Some objections I may probably be able to combat; others may possibly, by leading me to consider the points in difference afresh, enable me to hit upon variations that may not immediately occur to me. Much will depend upon your collection of works of art, which is as yet but imperfectly known to me; much also upon my meeting with clever workmen, capable, not only of entering into my ideas, and executing without further trouble any piece of decoration that may be required, but also, as has not seldom happened to me, of suggesting valuable hints during the progress of the work. So far indeed am I from wishing you to decide at once in favour of what I propose, I am most of all solicitous that you should as completely comprehend not only the general scheme, but the contemplated effect of every part. Undoubtedly it is very pleasant to an architect to meet with an employer disposed to give him carte-blanche and permission to follow out his own ideas unrestrictedly; yet it is still more delightful to meet with one who, instead of merely passively acquiescing, assents from conviction after deliberate study of the ideas submitted to him, and from the lively interest he takes in them.
If I have ventured to propose marble, gilding, fresco painting, and glass-mosaic, do not be alarmed at the seeming extravagance, or imagine that any great expense will be incurred. In architecture the most durable materials are the most economical, and they carry with them a nobleness of appearance not attainable by even lavish ornaments, costly at first, yet of a perishable nature. Consider what large sums are expended in the course of a few years in keeping up houses that have to be repaired or refitted up from time to time as regards all but their bare walls, in consequence either of the materials getting soiled and shabby, or of the changes of fashion, which having been the only guidance in matters of taste at first, must continue to be consulted and conformed to, otherwise the whole looks out of date; whereas, that which is originally beautiful, independently of any particlar fashion of the day, will so remain, let the caprice of fashion change as it will. I do really believe there are many rooms that would have cost their owners less, had they been entirely lined with marble, and otherwise ornamented with fresco
