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devoted much time and labour to the designing and executing for me the Pompeian room so deservedly admired. Entertaining this view on the subject of ornament, makes me the more anxious to take all possible pains in selecting the style of decoration, so as the house should prove that its owner is a lover of art, and that it should, as far as is compatible with a reasonable economy, be considered in some degree as a pattern of what might be accomplished in the matter of decoration. I never think on the subject without calling to mind the principles laid down for the ornamenting a country house, in Mr. Rogers's "Invitation to a Friend:" indeed, looking to his intimate knowledge of the whole circle of fine arts, and lastly, the specimen of refined taste which his own town house exhibits, my beau ideal is a house decorated under his direction; but as this cannot be obtained, I trust that you, who possess so much of his spirit and refinement, will, as far as may be compatible with your engagements, afford me the benefit of your assistance. Although the subject of decoration, both as regards houses and public buildings, has been hitherto much neglected in this country, I think now every one is becoming fully alive to its importance. The establishment of the Government School of Design, in which, for the first time in England, the art of design, as applied to decoration, is systematically taught;—the opportunity afforded by the building of the Houses of Parliament;—the Committee of the House of Commons, which has already reported on the subject of their decoration;—and the Royal commission entrusted with the further consideration of the subject,—cannot fail to produce within a few years a great alteration in the views and taste of the public. I may here observe, that the School of Design, and the training of young workmen, will mainly tend to assist those who may be inclined to give up the ornamenting their saloons and halls with cheap printed papers, by producing persons who will be able, at a moderate cost, to execute the original designs of eminent artists, or to copy the great works of antiquity. Hitherto, except when foreigners were introduced, it has been scarcely possible to obtain the assistance of workmen capable of executing anything beyond the commonest and simplest scrolls or straight lines; or if such assistance were obtained, it could only be procured at a cost which put any extensive scale of decoration beyond the reach of any but the affluent.
As regards the style and mode of execution of the proposed decorations, I should, of course, wish to be guided by your judgment. Whether it may be expedient merely to copy or adapt from known examples, such as the baths of Titus, and the paintings of Pompeii, or from the great masters of
