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and for the powers of fresco. In the ornamented divisions of the compartments, perhaps partial gilding might be employed with better effect than colours; on the ceiling both might be introduced, (in merely decorative forms,) unless your staircase ends in light, in which case your glass must of course be ornamented, even if colourless.
Dining rooms, strictly so called and employed, are generally unadorned with pictures: this hardly seems necessary. In theory we may admit that subjects requiring some contemplation would be out of place in a room exclusively devoted to "the table;" but portraits of celebrated individuals, and landscapes, although they cannot be duly examined in such moments, may convey associations, to which the spectator, even if not particularly conversant in pictures, is supposed to be alive at all times. Portraits of the class alluded to, as historic texts, are connected with time; and landscape, especially if founded on actual scenes, suggests the conditions of place. A room used for the purpose in question, and for nothing else, is, however, not the place where fine works of art should be bestowed; and I incline to think that this is the fittest field for small frescos and arabesques. This, in short, is one of the occasions to please the eye and the imagination merely. Accordingly, in the mode proposed, no definite idea is presented to the mind, but an air of elegant and festive splendour surrounds the guests. There should, however, be endless variety; scarcely a form should be repeated in the details, although an architectural symmetry is, as usual, to be preserved in the masses.
A dining room per se is not uncommon; but a professed and exclusive breakfast room supposes a degree of order in the family migrations, to which the muses could hardly be expected to accommodate themselves. Nevertheless, to complete my catalogue, I will suppose one; or rather I will suppose that one of your drawing rooms is used chiefly as a morning room. Indeed, without condemning a family to betake themselves to particular rooms at stated hours, it may be allowable to decorate and furnish apartments on such a supposition, by way of ensuring a marked and agreeable variety of character. Lucullus had even a series of dining rooms from the "Apollo" downwards; and we learn from Vitruvius,[1] that the opulent Romans changed the scene of their banquets according to the season of the year. The morning has its own feelings even for those whom affluence frees
- ↑ De Architect I vi. c.7
