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ON THE WESTERN FRONT
 

dwindle. I know their every step and movement; I would recognize them at any distance. Then they disappear. I sit down on my pack and wait.

Suddenly I become filled with a consuming impatience to be gone.

I lie down on many a station platform; I stand before many a soup-kitchen; I squat on many a bench;—then at last the landscape becomes gloomy, mysterious, and familiar. It glides past the western windows with its villages, their thatched roofs like caps, pulled over the white-washed, half-timbered houses, its corn-fields, gleaming like mother-of-pearl in the slanting light. Its orchards, its barns and old lime trees.

The names of the stations begin to take on mean­ing and my heart trembles. The train stamps and stamps onward, I stand at the window and hold on to the frame. These names mark the boundaries of my youth.

Smooth meadows, fields, farmyards; a solitary team moves against the sky-line along the road that runs parallel to the horizon—a barrier, before which peasants stand waiting, girls waving, children

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