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ON THE WESTERN FRONT
 

as if there were no voices, but an organ far away on the moor.

The burial is quickly over.

In the evening they stand again at the wire fence and the wind comes down to them from the beech woods. The stars are cold.

I now know a few of those who speak a little German. There is a musician amongst them, he says he used to be a violinist in Berlin. When he hears that I can play the piano he fetches his violin and plays. The others sit down and lean their backs against the fence. He stands up and plays, sometimes he has that absent expression which violinists get when they close their eyes; or again he sways the instru­ment to the rhythm and smiles across to me.

He plays mostly folk-songs and the others hum with him. They are like a country of dark hills that sing far down under the ground. The sound of the violin stands like a slender girl above it and is clear and alone. The voices cease and the violin continues alone. In the night it is so thin it sounds frozen; one must stand close up; it would be much better in a room;—out here it makes a man grow sad.

Because I have already had a long leave I get none

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