of buildings towering above the Malay structures. Founded solidly on a firm ground with plenty of space, starred by many lights burning strong and white, with a suggestion of paraffin and lamp- glasses, stood the house and the godowns of Abdulla bin Selim, the great trader of Sambir. To Almayer the sight was very distasteful, and he shook his fist towards the buildings that in their evident prosperity looked to him cold and insolent, and contemptuous of his own fallen fortunes.
He mounted the steps of his house slowly.
In the middle of the verandah there was a round table. On it a paraffin lamp without a globe shed a hard glare on the three inner sides. The fourth side was open, and faced the river. Between the rough supports of the high-pitched roof hung torn rattan screens. There was no ceiling, and the harsh brilliance of the lamp was toned above into a soft half- light that lost itself in the obscurity amongst the rafters. The front wall was cut in two by the doorway of a central passage closed by a red curtain. The women's room opened into that passage, which led to the back courtyard and to the cooking shed. In one of the side walls there was a doorway. Half obliterated words—"Office: Lingard and Co."—were still legible on the dusty door, which looked as if it had not been opened for a very long time. Close to the other side wall stood a bent- wood rocking-chair, and by the table and about the verandah four wooden armchairs straggled forlornly, as if ashamed of their shabby surroundings. A heap of common mats lay in one corner, with an old hammock slung diagonally above. In the other corner, his head wrapped in a piece of red calico, huddled into a shapeless heap, slept a Malay, one of Almayer's domestic slaves—"my own people," he used to call them. A numerous and repre-
