the quaint gray schlosses with crimson cloaks; and everything was as beautiful as a dream of Burne-Jones's. (I know I am quite right in mentioning Burne-Jones, especially in connection with Romanesque architecture, because I heard him highly praised on that very ground by our friend and enemy, Dr. Edward Polperro.) So perhaps it was excusable that Amelia should fall in love with it all, under the circumstances; besides, she is largely influenced by what Césarine says, and Césarine declares there is no climate in Europe like Meran in winter. I do not agree with her. The sun sets behind the hills at three in the afternoon, and a nasty warm wind blows moist over the snow in January and February.
However, Amelia set Césarine to inquire of the people at the hotel about the market price of tumbledown ruins, and the number of such eligible family mausoleums just then for sale in the immediate neighbourhood. Césarine returned with a full, true, and particular list, adorned with flowers of rhetoric which would have delighted the soul of good old John Robins. They were all picturesque, all Romanesque, all richly ivy-clad, all commodious, all historical, and all the property of high well-born Grafs and very honourable Freiherrs. Most of them had been the scene of celebrated tournaments; several of them had witnessed the gorgeous marriages of Holy Roman Emperors; and every one of them was provided with some choice and selected first-class murders. Ghosts could be arranged for or not, as