titudes and Situations; and inspire us with different Sentiments of Praise or Blame, Admiration or Ridicule, according to the Qualities of the Object, which they set before us. An Artist must be better qualify'd to succeed in this Undertaking, who, besides a delicate Taste and a quick Apprehension, possesses an accurate Knowledge of the internal Fabric, the Operations of the Understanding, the Workings of the Passions, and the various Species of Sentiments, which discriminate Vice and Virtue. However painful this inward Search or Enquiry may appear, it becomes, in some measure, requisite to those, who would describe with Success the obvious and outward Appearances of Life and Manners. The Anatomist presents to the Eye the most hideous and disagreeable Objects; but his Science is highly useful to the Painter in delineating even a Venus or an Helen. While the latter employs all the richest Colours of his Art, and gives his Figures the most graceful and engaging Airs; he must still carry his Attention to the inward Structure of the human Body, the Position of the Muscles, the Fabric of the Bones, and the Use and Figure of every Part or Organ. Accuracy is, in every Case, advantageous to Beauty, and just Reasoning to delicate Sentiments. In vain would we exalt the one, by depreciating the other.
Besides,
