object, may be said to receive the greatest pleasure that object is capable of affording. Thus the Barbarian finds some small pleasure in the contemplation of a guinea; the enlightened European who is acquainted with its uses, still more than him; the chymist, who besides this, knows the peculiar fixedness and malleability of the metal, most of all. This capacity of receiving pleasure, may be called Taste in the objects of nature. The polite arts in all their variety are only an imitation of nature. He then must excel in them, who is capable of inspiring us at once with the most vivid perceptions of beauty, and with the greatest number of experimental uses in any object described. But as the artist, to give vivid perceptions must be perspicuous and concise, and yet to exhibit usefulness requires mi-nuteness,
