style. And yet it is well known, that he praised, in Cowley, the ease and unaffected structure of the sentences. Cowley may be placed at the head of those who cultivated a clear and natural style. Dryden, Tillotson, and sir William Temple followed. Addison, Swift, and Pope, with more correctness, carried our language well nigh to perfection. Of Addison, Johnson was used to say, he is the Raphael of essay writers. How he differed so widely from such elegant models, is a problem not to be solved, unless it be true, that he took an early tincture from the writers of the last century, particularly sir Thomas Browne. Hence the peculiarities of his style, new combinations,sentences of an unusual structure, and words derived from the learned languages. His own account of the matter is, "When common words were less pleasing to the ear, or less distinct in their signification, I familiarized the terms of philosophy, by applying them to popular ideas." But he forgot the observation of Dryden: If too many foreign words are poured in upon us, it looks, as if they were designed, not to assist the natives, but to conquer them. There is, it must be admitted,
