He says: It can hardly be doubted, but that Johnson's aversion to Milton's politics was the cause of that alacrity, with which he joined with Lauder in his infamous attack on our great epic poet, and which induced him to assist in that transaction. These words would seem to describe an accomplice, were they not immediately followed by an express declaration, that Johnson was unacquainted with the imposture. Dr. Towers adds, It seems to have been, by way of making some compensation to the memory of Milton, for the share he had in the attack of Lauder, that Johnson wrote the prologue, spoken by Garrick, at Drury-lane theatre, 1750, on the performance of the Masque of Comus, for the benefit of Milton's grand-daughter. Dr. Towers is not free from prejudice; but, as Shakespeare has it, "he begets a temperance, to give it smoothness." He is, therefore, entitled to a dispassionate answer. When Johnson wrote the prologue, it does appear that he was aware of the malignant artifices practised by Lauder. In the postscript to Johnson's preface, a subscription is proposed, for relieving the granddaughter of the author of Paradise Lost. Dr. Towers will agree, that this shews
John-
