He at once went down with two carpenters and ripped strips through the lovely ceiling from one end of the room to the other, utterly destroying this incomparable work, that must have occupied the artist months of patient labour, and which had called forth the best efforts of his genius.
That is how mulish stupidity is every day destroying the achievements of genius. It is on a level with that of the chawbacon who, having got hold of a Stradella violin, broke it up to light his fire with the splinters.
There was, perhaps, a little heaviness in these ceilings—a little more than there ought to be, and the perfection of plaster work was attained in Germany at a somewhat later period, when the rococo ceilings came in. These were superb—not heavy, but rich with fancy and exquisite in delicacy. This never reached England, or if a foreign workman came here and did a ceiling or two, the art did not take root. Instead it died completely out, and we were left with quite plain ceilings or such as had a centre-piece, cast, of no style—vulgar, tasteless, and mechanical, and of plaster of Paris.
