reign. The mortices for the arms and for the seat were there; also nail marks showing that stamped leather had been fastened to the back below the sculpture. There were pegs showing where had been the pilasters sustaining the canopy, and one scrap of canopy still extant. I show the restoration (p. 57).
Fine though this be, I know something better still—not in art, but for cosiness, and that is the curved settle, it is constructed in an arc. In a farm-house I know well are two such settles, and they are connected by a curved iron rod fastened to the ceiling, and there are green baize curtains depending from this rod.
On a winter evening, the farmer and his wife and the serving maidens and young men come into the kitchen, and the circle is completed with chairs or stools, the curtains are drawn, the fire is made up, and a very jolly evening is spent with cakes and cider, and tales and jokes and song.
I was at a sale one day—a very small farm but an old one. A farmer bid for the settle—a small one. One of his daughters was there.
