ing this, sent for him and showed him a French uniform consisting of a three-cornered hat, sword, and a colonel's uniform of the Chasseurs of the French Imperial guard, and a cross of the Legion of Honor. "Now," said the Czar, "this uniform once belonged to the Emperor Napoleon, and was captured during the campaign of Moscow. I have noticed your likeness to him, and desire you to put on this uniform; I will then present you to my mother, who has often desired to see Napoleon."
When Boucher had arrayed himself as the Czar had requested, he was conducted to the apartment of the Empress, and her son assured her that she saw a perfect counterpart of the great Corsican.
93.—A SINGER'S SENSE.
Santley, the English baritone, is a man of wide musical experience and of great operatic ability. But more than this, he is a man of solid nerve and good sense.
This was shown by his cool actions and language one night in 1865, when he was singing the part of "Papageno" in Mozart's "Magic Flute." In the same cast were Titiens and Di Murska.
The London theater was crowded with an enthusiastic audience. In the last act some gauze, which had been used to represent clouds, caught fire from a gas jet behind the flies. Immediately one of the stage hands ran out on a narrow strip of wood over the stage and with a knife cut away the burning material which fell blazing on the stage.
The audience, seeing the fire, would quickly have lost all presence of mind; but Santley, who was on the stage at the time, walked to the front and called out to the audience: "Don't act like a lot of fools! Its nothing."
Then he immediately took up his interrupted song and went on with the scene. This quieted the people and a panic was doubtless averted by the singer's presence of mind.
