291.—A CHARITABLE TRIO.
One night near the middle of this century, three lively young students were strolling along a Paris boulevard in quest of exercise and recreation. In the course of their walk they came across an old man who was trying to play a violin he was almost too feeble to manage. The generous young fellows went down in their pockets, but the whole trio could only raise a few cents and a piece of rosin.
Thereupon one of them proposed to take the old man's violin and accompany the voices of his companions. No sooner said than done. Commencing with a solo upon the theme of the Carnival of Venice, a large concourse of listeners was soon attracted. Then came a favorite cavatina from "La Dame Blanche," sung in such a manner as to keep the audience spell-bound; and yet again the trio from "Guillaume Tell." By this time the poor old man was galvanized into life and activity by the artistic performance. He stood erect, and with his stick directed the concert with the authority of a practiced leader. Meanwhile contributions of silver and even gold rained into the old man's hat.
To his astonished and grateful demand to know who were his benefactors, he received from the first the name of Faith, and from the others the response of Hope and Charity. "And I," said the poor old fellow, "used to direct the opera at Strasburg. You have saved my life, for I can now go back to my native place, where I shall be able to teach what I can no longer perform."
The young violinist was Adolph Hermann, the tenor was Gustav Roger, and the originator of this charitable scheme was Charles Gounod.
