object in the room,—her whole appearance was so startling, so extraordinary, that I held my breath in surprise, actually for the moment doubting if it were a living woman I beheld, or some famous pythoness conjured up from ancient story, to express in one tremendous gesture the supreme indignation of outraged womanhood.
“Miss Mary Leavenworth,” whispered that ever present voice over my shoulder.
Ah! Mary Leavenworth! What a relief came with this name. This beautiful creature, then, was not the Eleanore who could load, aim, and fire a pistol. Turning my head, I followed the guiding of that uplifted hand, now frozen into its place by a new emotion: the emotion of being interrupted in the midst of a direful and pregnant revelation, and saw—but, no, here description fails me! Eleanore Leavenworth must be painted by other hands than mine. I could sit half the day and dilate upon the subtle grace, the pale magnificence, the perfection of form and feature which make Mary Leavenworth the wonder of all who behold her; but Eleanore—I could as soon paint the beatings of my own heart. Beguiling, terrible, grand, pathetic, that face of faces flashed upon my gaze, and instantly the moonlight loveliness of her cousin faded from my memory, and I saw only Eleanore—only Eleanore from that moment on forever.
When my glance first fell upon her, she was standing by the side of a small table, with her face turned toward her cousin, and her two hands resting, the one upon her breast, the other on the table, in an attitude of antagonism. But before the sudden pang which shot through me at the sight of her beauty had subsided, her head had turned, her gaze had encountered mine;
