what manner of man I show myself. I come to the conclusion (though it may seem to border on paradox) that in a like case I could not, or should not, do now what I did then. I suppose that it is some such process as this, a weakening of emotion parallel with a lowering of ideal, that makes us, as we grow older, think ourselves so much wiser and know ourselves to be so little better.
I had charged Wetter to say nothing to the Countess, but he disobeyed me. He had been to her and told her all that passed between us. I knew this the moment I entered her room. Her agitated nervous air showed me that she had been informed of the withdrawal of my gift, was aware that the Embassy was no longer hers to give to Wetter or another, and was wondering helplessly what the meaning of the change might be. To her, as to Wetter, the death of Hammerfeldt must have seemed the removal of an impediment; only through the curious processes of my own mind did it raise an obstacle insurmountable. She had liked the Prince, but feared him; she imagined my feelings to have been the same, and perhaps in his lifetime they were. Then should not I, who had been brought to defy him living, more readily disregard him dead?
But against her knowledge of me and her quick wit no preconception could hold out long. She was by me in a moment, asking:
"What has happened? What's wrong, Angustin?"
I had pictured myself describing to her what I felt, making her understand, sympathize, and, even while she grieved, approve. The notion was so strong in me that I did not doubt of finding words
