make it good. Error is truth, it is partial truth, that is false only because partial and left incomplete. The Absolute has without subtraction all those qualities, and it has every arrangement which we seem to confer upon it by our mere mistake. The only mistake lies in our failure to give also the complement. The reality owns the discordance and the discrepancy of false appearance; but it possesses also much else in which this jarring character is swallowed up and is dissolved in fuller harmony. I do not mean that by a mere re-arrangement of the matter which is given to us, we could remove its contradictions. For, being limited, we cannot apprehend all the details of the whole. And we must remember that every old arrangement, condemned as erroneous, itself forms part of that detail. To know all the elements of the universe, with all the conjunctions of those elements, good and bad, is impossible for finite minds. And hence obviously we are unable throughout to reconstruct our discrepancies. But we can comprehend in general what we cannot see exhibited in detail. We cannot understand how in the Absolute a rich harmony embraces every special discord. But, on the other hand, we may be sure that this result is reached; and we can even gain an imperfect view of the effective principle. I will try to explain this latter statement.
There is only one way to get rid of contradiction, and that way is by dissolution. Instead of one subject distracted, we get a larger subject with distinctions, and so the tension is removed. We have at first A, which possesses the qualities c and b, inconsistent adjectives which collide; and we go on to produce harmony by making a distinction within this subject. That was really not mere A, but either a complex within A, or (rather here) a wider whole in which A is included, The real subject is A + D; and this subject contains the contradic-
